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as were their off-stage antics
with Alan McGee serving as its hyperactive mouthpiece and focal point
Gene Colan's moody “House of Horror” in issue #3
paintings and photographs have been widely exhibited and published in the United States
With essays
Art Is Life Jerry Saltz Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night Bang on A Can as were their off-stage anticsJerry Saltz draws on two decades of work to offer a real time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning pointsfrom the cultural reset of 9 11 to the rolling social crises of todaySaltz traces how visionary artists have both documented and challenged the culture. Art Is Life offers Saltzs eye opening appraisals of trailblazers like Kara Walker, David Wojnarowicz, Hilma af Klint, and
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